Edición de «Renzo Piano»

[http://Tresa.Kaye@dhavi.blog.w.skve.org/php_test.php?a%5B%5D=%3Ca+href%3Dhttps%3A%2F%2Fwww.arch2o.com%2Ftag%2Frenzo-piano%2F%3EWhitney+Museum%3C%2Fa%3E renzo piano buildings] Piano, (born September 14, 1937, Genoa, Italy), Italian architect best understood for his high-tech public spaces, particularly his style (with Richard Rogers) for the Centre Georges Pompidou in Paris.<br>Born into a household of home builders, Piano finished from the Polytechnic in Milan in 1964. He worked with a range of architects, including his father, till he established a collaboration with Rogers from 1970 to 1977. Their high-tech design for the Centre Georges Pompidou (1971-- 77) in Paris, made to appear like an "urban machine," immediately gained the attention of the global architectural community. Colourful air ducts and elevators positioned on the structure's exoskeleton produced a brilliant visual impression, and the structure's playfulness challenged staid, institutional concepts of what a museum must be. From a practical standpoint, the position of service components such as elevators on the exterior allowed an open, versatile strategy in the building's interior. While numerous complained that it did not fit the context of the historical neighbourhood, the Pompidou nonetheless assisted produce the revitalization of the location when it ended up being a worldwide prominent landmark.<br>Piano's interest in innovation and contemporary solutions to architectural issues appeared in all his designs, although he progressively took greater account of the structure's context. His style for the Menil Collection museum (1982-- 86; with Richard Fitzgerald) in Houston, Texas, utilized ferroconcrete leaves in the roof, which functioned as both a heat source and a form of defense against ultraviolet light. At the same time, the building's low scale and constant terrace remain in keeping with the mostly property structures close by. His other crucial commissions include San Nicola Soccer Stadium (1987-- 90) in Bari, Italy; the Kansai International Airport Terminal (1988-- 94) in Ōsaka, Japan; the Auditorium Parco della Musica (1994-- 2002) in Rome; and the Beyeler Foundation Museum (1992-- 97) in Basel, Switzerland. One of his most-celebrated 21st-century projects, significant for its green architecture, was a new building for the California Academy of Sciences (finished 2008) in San Francisco's Golden Gate Park.<br>Piano also worked on urban revitalization strategies, consisting of the conversion of an enormous historical Fiat factory (1983-- 2003) in Turin, Italy, into the city's trade fair and convention centre district. Piano's design for the Shard (2000-- 12), formerly known as London Bridge Tower, was given its label-- which eventually became its main name-- due to the fact that of its greatly tapered glass facade.<br>Piano has gotten various awards and prizes, consisting of the Japan Art Association's Praemium Imperiale reward for architecture (1995 ), the Pritzker Architecture Prize (1998 ), and the American Institute of Architects Gold Medal (2008 ).<br><br><br><br><br><br>Their modern style for the Centre Georges Pompidou (1971-- 77) in Paris, made to look like an "city maker," immediately gained the attention of the international architectural neighborhood. Piano's interest in technology and contemporary solutions to architectural problems was evident in all his designs, although he progressively took greater account of the structure's context. Piano's design for the Shard (2000-- 12), previously known as London Bridge Tower, was offered its label-- which ultimately became its main name-- due to the fact that of its dramatically tapered glass exterior.