Office For Metropolitan Architecture

The starting of OMA corresponded with the company's entry in the architectural style competition for a new Dutch parliament building in The Hague in 1978, with Zaha Hadid. OMA was one of the first-prize winners (amongst some 10 others), and the job was extensively gone over and released. The entry for the Dutch parliament competition was the first of a series of successful and controversial international competition entries by OMA in the 1980s that were not built by OMA.
Much more crucial however were the competition entries OMA developed in this duration. Throughout these years OMA likewise recognized ambitious jobs, ranging from private residences to big scale urban plans: Villa dall' Ava, Paris, France (1991 ), Nexus Housing, Fukuoka, Japan (1991 ), the Kunsthal, Rotterdam (1992 ).



Rapid Eye Movement Koolhaas and Elia Zenghelis began interacting in the early 1970s at the Architectural Association, the London-based architecture school, where Koolhaas was a student and Zenghelis a trainer. Their first significant job was the utopian/dystopian task Exodus, or the Voluntary Prisoners of Architecture (1972 ). This project proposed a direct structure, cutting through London like a knife. Other tasks included City of the Captive Globe (1974 ), Hotel Sphinx (1975 ), New Welfare Island/Welfare Palace Hotel (1975-- 76), Roosevelt Island Redevelopment (1975)-- all "paper" projects that were not (meant to be) built, and all located in Manhattan, the subject of Koolhaas's book Delirious New York, A Retroactive Manifesto for Manhattan (1975 ). [1]
The founding of OMA coincided with the company's entry in the architectural design competition for a new Dutch parliament structure in The Hague in 1978, with Zaha Hadid. OMA was one of the first-prize winners (amongst some 10 others), and the project was widely talked about and released. The entry for the Dutch parliament competitors was the very first of a series of successful and controversial worldwide competition entries by OMA in the 1980s that were not constructed by OMA.
OMA in the 1980s
OMA's very first significant commissions were The Netherlands Dance Theatre (1981) in The Hague and IJ-Plein Urban preparation (1981-- 1988) in Amsterdam. Full of "very first errors", the Dance Theater is the very first understood style in which the ideas of Rem Koolhaas were made evident. OMA developed the school, the community center, and two blocks of housing.
A couple of other styles were understood in the 1980s: a cops station in Almere (1982-- 1985), a bus station in Rotterdam (1985-- 1987, destroyed in 2005), Byzantium home block in Amsterdam (1985-- 1991) and Checkpoint Charlie Housing in Berlin (1984-- 1990). Two homes were integrated in this duration; the first house was a duo of patio rental properties (1985-- 1988) in the style of Mies van der Rohe, placed in a dike in Rotterdam. The second-- perhaps the most full-grown design of OMA up until that date-- was Villa Dall' Ava in Paris (1984-- 1991). The customer, according to Koolhaas, requested a "masterpiece". [citation required] He wanted a glass house. She wanted a swimming pool on the roofing. A lot of delays pestered the home that it "ended up being a record of our own (OMA's) growing up". [2]
A number of research studies were made throughout the late 1970s and 1980s: Study for the restoration of a panopticon prison in Arnhem in 1979, Boompjes tower piece in Rotterdam (1979 ), Housing for Berlin IBA (1980, not realised, and the factor OMA would not design anything in Berlin anymore in the 20th century, the Dutch Embassy Building being the comeback), [citation required] master plan for a world exhibition in Paris (1983 ). Much more crucial nevertheless were the competition entries OMA developed in this period. They acquired the office of metropolitan architecture (visit these guys) global popularity (however not one design was actually developed). [citation required]
OMA in the 1990s
Throughout these years OMA likewise realized enthusiastic jobs, ranging from private residences to big scale city strategies: Villa dall' Ava, Paris, France (1991 ), Nexus Housing, Fukuoka, Japan (1991 ), the Kunsthal, Rotterdam (1992 ).
The Euralille (1994 ), a 70-hectare organisation and civic center in Lille, northern France comprising the European hub for high-speed trains, transformed a when inactive center of more than 50 million residents into a site offering connectivity, and a variety of modern activities. [citation required] In 1999 OMA completed the Maison à Bordeaux, a vacation home for a client in the hills outside Bordeaux, France. The vacation home's most striking function is a platform in the very center of the home that moves freely in between the 3 floors and permitted the client to move with his wheelchair on all three levels of the villa. The design was conceived in collaboration with engineer Cecil Balmond.
OMA in the 21st century
OMA's recently finished tasks include the Viktor & Rolf Store in London (2011 ), Edouard Malingue Gallery in Hong Kong (2010 ), [4] Prada Transformer, a rotating multi-use pavilion in Seoul (2009 ), [5] the Zeche Zollverein Historical Museum and master plan in Essen (2006 ), the Seoul National University Museum of Art (2005 ), the much well-known Casa da Música in Porto (2005 ), [6] the Prada Epicenter in Los Angeles (2004 ), the Seattle Central Library (2004 ), [7] the Leeum Samsung Museum of Art (2004 ), the Netherlands Embassy in Berlin (2003) [8] and the McCormick Tribune Campus Center at the Illinois Institute of Technology in Chicago (2003 ). OMA was granted the agreement for the Seattle Central Library, finished in 2005, despite not having actually been on the list of firms initially invited to send styles. Previous Seattle local Joshua Prince-Ramus, a partner, heard from his mother about the meeting for interested companies at the last minute and flew in from the Netherlands. This 11-story glass and steel structure is a striking addition to the Seattle cityscape.
In Asia OMA recently finished the huge Central China Television Headquarters structure in Beijing, and the new building for the Shenzhen Stock Exchange is presently under construction. In January 2009 OMA won the competitors to develop a carrying out arts centre in Taipei and in June 2009 the office won the competition to design "Crystal Island", a transportation and cultural hub in the centre of Shenzhen.
In October 2011, the Barbican Art Gallery released their exhibition "OMA/Progress", the first significant discussion of OMA's work in the UK, curated by Belgium-based creative cumulative Rotor.
OMA (and Rem Koolhaas) are popular for questionable projects such as the proposition to adapt part of the Museum of Modern Art into a promotional area titled MoMa Inc
.